Tuesday, March 29, 2011

10 Creepiest Bastards On TV

I've compiled a list of the creepiest bastards who have ever flickered across a television screen. Now they're not necessarily the strongest or most successful of villains, but they're the ones that stick with you long after the credits have rolled.

10. Badge- "Are You Afraid of the Dark"

There are very few universal truths in this world, but there is one thing I can assure you of: every red blooded American who grew up in the 90s can cite at least one episode of Are You Afraid of the Dark that creeped them out to no end. For me that episode was “The Tale of Badge." Said story is about some girl who is forced to babysit her annoying ass brother, who plays a magic flute and releases a demonic rat man who kidnaps her brother and lures her into some sort of mystical, corpse filled, cavern forest. I know what you're thinking "90s rat/human hybrids aren't creepy. They're kindly and they teach you how to do karate." Not when they look like this they don't...



If they look like this, then they speak like Yoda, have no concept of personal space, and fucking love hanging people. Now compound that with the fact he spends twenty minutes of the episode jumping around in unadulterated glee at the thought of murdering some old women, who granted did trap him in a crystal for a couple decades. You should also keep in mind that he's able to mimic human voice (if not subject verb agreement) and seems to be able to make some weird dimensional vortex appear wherever and whenever he wants. Plus he is inexplicably Irish and is constantly shrouded in fog just so he can keep jumpin out of nowhere. I don't care what age you are, that's creepy.

9. Arthur "Trinity" Mitchell -
Dexter

In real life, serial killers are relatively rare, but on television the cup runnuth over especially on
Dexter. Yet in the sea of homicidal maniacs the Trinity killer bobs to the top. Arthur Miller isn't creepy in the way the 5th season's road kill scraping, woman hating Boyd Fowler is nor in the way Jordan Chase's overly charismatic murder ringleader is. Not withdrawn from society, and not showy and suave, Arthur Mitchell is perfectly normal... outside of the fact the viewer first encounters him when he strips naked in a stranger's bathroom, attacks her from behind, bathes with her, and slits her femoral artery. OK maybe he's a bit less than perfectly normal, but you wouldn't guess it just looking at him. In later scenes when he's acting like your average family man he gives no signs that he's one of the most prolific serial killers ever. So you're essentially confronted with the reality that you can't tell when someone is evil. They don't just pop out from a crowd. And that's why he earns the distinction of being EXTRA creepy. If after viewers learn he is a serial killer, he runs around dancing in a pools of blood, cackling, twirling his moustache, and polishing guns in lonely cabins it would be WAY less creepy because that's what serial killers do. They don't build houses for the poor, lead mass at their church, or raise their kids. Crazy people are supposed to be easily distinguishable by their scruffy facial hair, dislike for showering, and fondness for the wilderness. Sure when Dexter pressures Trinity there are some signs, what with him being oddly transfixed on his dead sister's ashes, and the heavy implication they had an incestuous relationship. But his facade of normalcy is pretty solid and pretty damn creepy.

8. The Flukeman -
X-Files


Just on a conceptual level parasites are freaking creepy. The idea of hundreds of little bugs all crammed up into your body, reproducing exponentially, while slowly draining you of your health is... not so appetizing. So when the X-files did an episode on a supersized parasitic flukeworm/man/thing it stood out as one of their single creepiest monsters ever. If watching an unsuspecting sewer worker spit up a huge ass worm before keeling over in the shower and dying isn't enough to get you squirming, the creature's appearance will more than likely do the trick.



Yeah, look at that beauty, and just imagine that it's floating around somewhere in your sewer system, right beneath your feet, just waiting for an opportunity to latch onto you and lay it's larvae in your body. If you aren't adequately creeped out there's something wrong with you.

7. Drusilla - Buffy The Vampire Slayer

Bloodthirsty, remorseless vampires are pretty creepy, but at this point pretty run of the mill. Long before they were the things of tweenage dreams, there was one gal who was just as crazy as she was vicious. That demon of the night is the remarkably unbalanced Drusilla. Dru may not be the most deadly vampire on the show (though she's certainly no slouch), but she is batshit crazy. She drifts in and out of scenes incoherently babbling some strange mix of British lullabyes and anecdotes about some heinous act she has committed. She punishes her dolls (actual dolls) by refusing to let them watch as she eats people. She constantly has the most vacant stare you can imagine. She's always breaking out into creepy little songs for no apparent reason, also they never really seem to be about anything. In a matter of minutes her tone can shift from childish delight (normally at the prospect of someone's gory demise) to detached sadness (usually related to something undistinguishable in her mind). Just a few examples of Drusilla's.... unique comments:

"Do you like daisies? I plant them, but they always die. Everything I put in the ground withers and dies. "

"I met an old man. I didn't like him. He got stuck in my teeth,"

"Pretty music. Pretty, pretty music. They cry out for mercy. They cry out for mercy. "

Mental instability, a penchant for violence, unpredictable mood shifts, plus her unusual speech patterns all equal out to being absolutely creepy.

6. The Reavers -
Firefly

The Reavers are the creepiest bastards that you never get to see, at least not during the run of the series. Sometimes the best way to spook your audience is by NOT showing them something. Such is the case with Reavers. We never got the chance to see them (largely due to Firefly's tragically short run) but we did get to see everyone FLIP THE HELL OUT at the mere thought of them. The mention of their name drives grown badasses to huddle in fear, and seemingly level headed individuals to become suicidal but nothing I type can give express things better than Zoe's description of the space marauders.



What's that you say Zoe? "They'll RAPE US TO DEATH. EAT OUR FLESH, AND SEW OUR SKINS INTO THEIR CLOTHING." Well if that isn't the creepiest sentence I've ever heard I... oh there's more? You say odds are they won't do that to us in that order? You're implying Reavers will likely begin eating you while you're alive and THEN rape you to death? Is further evidence of their immense creepiness needed?

5. Maryann Forrester - True Blood

There's something off about a "social worker" who lives in a mansion, throws wild parties, collects disenfranchised minority children, and smokes pot. As fate would have it, what was "off" about Maryann Forrester was that she wasn't a social worker at all, but in fact a psychotic, brainwashing, human sacrificing, greek god worshipping maenad. The writers of True Blood sure as hell weren't going to share that information with their viewers in manner that could in any remote way be considered timely. Instead she slinks around the town for half a season pretending to be Mother Theresa, while the viewers try and figure out what she was up to.


Now you try and tell me that bitch isn't up to something. And that poster came out before the season even premiered, so viewers are siting on the edge of their seat for a whole fucking season as they nurse the increasingly apparent notion that this woman is the baddest mofo in town. She is always plotting something. You can tell. Every scene you just think, Tara stop doing everything Maryann suggests because she's clearly plotting something. But I'll be damned if anyone can figure out her motive or really the limit to her powers, even after it becomes readily apparent that she has some sort of mind control, carnal intent releasing mojo all a viewer can do is be creeped out by her increasingly bizarre and inexplicable behavior episode after episode.

4. Anthony Freemont - Twilight Zone

The Twilight Zone is one of the most iconic series in the history of television, and without question one of the most influential in terms of sci-fi. In the hallowed halls of The Twilight Zone there are certain episodes that everyone, even people who've never seen the show, seem to know about. One such instance is "The Good Life" an episode that centers around omnipotent, omniscient, six year old Anthony Freemont. Everyone has had the grave misfortune of encountering a snot nosed brat. It tends to be very annoying as you know they're a douchebag, but as they're a ten year old it's not really socially acceptable to call them a douchebag, so you just have to bite your tongue and mumble in a disgruntled fashion. But imagine you can't curse under your breath in frustration or even be frustrated for that matter, without the threat of being wiped off the face of the earth. So is the case with Anthony Freemont. He's every bit as impulsive and whiny and immature as any other little child, but he can bend time, space, and reality to his will. Small complication, no? It melds a kind of powerlessness with a universal frustration, and wraps it up into an adorable unsuspecting package. Whenever you make a character all powerful and unpredictable, there's a certain amount of inherent spookiness. But making that character a child really just increases that creepiness exponentially. You can't attack kids, they're kids, that however doesn't stop them from being selfish, evil, short tempered bastards.

3. Benjamin Linus-
Lost

Sure, imbuing characters with supernatural abilities, a jarring physical appearance, and a less than sane disposition goes a long way in making a character creepy, but on LOST Benjamin Linus shows us that a run of the mill genocidal tyrant is just as capable of making our skin crawl. There is something unquestionably creepy about Ben, and not the least of it has to do with Michael Emerson’s amazing performance. Emerson is tremendously skilled at making even the most innocuous statements sound chilling. If you don't believe me just listen to him describe his shopping plans on Letterman.



What the fuck was that? Now I'm pretty much terrified of socks, and I'll be damned if I'll step into a Target again. With delivery like that it's really no wonder that Ben quickly became the creepiest part of an already unsettling show. But acting aside, the character has enough mystery about him to be troubling. You see, Ben KNOWS THINGS. No one fucking knows things on
LOST, not even the writers. Yet, somehow Benjamin Linus seems to be aware of all sorts of sh*t. He never has the courtesy to explain any of it to us, but he makes references to rules and knows about smoke monster releasing buttons. Ben was introduced as the a prisoner of war, the enigmatic leader, of the mysterious "Others," and during his initial encounter with the protagonists, he maintains a shocking level of confidence and placidity. Sayid can't make him break a sweat during their torture session, and Ben winds up inflicting mental anguish on the man torturing him physically. Which really is Ben's M.O. He knows what buttons to push for everyone on the island, and when he lands in hot water he doesn't get rattled in the least, he just start fucking you over mentally, which is probably what is so creepy about him. He is so damn even keeled in even the most chaotic situations, it gives the impression that there just HAS to be a reason for him to be so calm and confident, and births the nagging sense that any perceived advantage one has over him must be outweighed by the inevitable ace up Ben's sleeve. Eventually, the writers pull back the curtain to show us that Ben is just as scared, desperate, and confused as the rest of us, but for a couple seasons he was the most disturbing bastard on TV.

2. Weeping Angels -
Dr. Who

So you get the unsettling feeling that some amorphous unseen force is lurking behind you just waiting to do some sort of harm. You know that’s unreasonable so you give the room a quick once over, nothing here but inanimate objects you must be fine. FUCKING WRONG! That dumb looking statue is actually a sentient creature that is plotting to kill you. That is of course if you’re dealing with the recurring Dr. Who villains known as the Weeping Angels who are just as nonthreatening as they are deadly. As long as you are looking at a Weeping Angel it is unable to move, but they are incredibly fast and equally homicidal so the second you look away it is very likely to sprint across the room and kill you. Just think of it as a kind of dark and twisted Toy Story. It probably doesn’t help you can’t kill or harm the angels in any known way. The only thing that one can possibly do is hold them at bay by staring at them. As they can be detained by a simple glance, it might not seem hard but if you think about it you’ll soon realize that it’s utterly unsustainable. It’s impossible to stare at one spot forever unless you happen to be a statue, which you are not, but they are. And that's what the Dr. Who writers play off of so successfully, the feeling that no matter how idyllic things feel in an instant, there is an unshakable notion that you are lying on the very cusp of disaster. There’s nothing you can do to win, you can only hope and wish and pray, and freak the fuck out as you try to rationalize away the impulse that just won’t leave. Angels always come in packs too (like RAPTORS!!!), so you’re very likely to get the feeling one is lurking behind you, but you can’t investigate that hunch without taking your eyes off the angel in front of you and seriously risking your own life and limb. Moreover, the Weeping Angels are unreadable, what being statues and all. You can’t tell what they’re thinking. Can’t tell what they’re feeling. Can’t see them sweat or hear them planning. You can’t go on the offense. Which all goes back to the same concept of, somehow KNOWING something is terribly wrong despite all reasonable signs to the contrary. You’re stuck on the defense with an unreadable enemy that could come at any moment from any angle, and it is literally impossible to see it coming. The absolute paranoia and complete lack of certainty are to major components of getting creeped out, and the Weeping Angels deliver them in spades. It’s why “Blink” is one of the most tense episodes of television you’ll ever find as evidenced by the trailer.




1. The Gentlemen -
Buffy The Vampire Slayer

Before I even start giving an explanation do me a favor. Look at this.


Imagine your mother told you that these guys were coming over for dinner one night. You’d probably say “Fuck no! I don’t want to eat dinner with those freaky looking bastards.” And no one would blame you because honestly… look at them, they have sunken eyes, disgustingly veiny somewhat translucent skin, rotting teeth, and no damn hair. The Gentlemen could be every bit as mild mannered as their name suggests and they would still be ridiculously creepy. Now do me a favor and imagine it’s not so much your mother telling you that they’re going to visit and more so a little girl in your dreams who speaks with an odd lack of cadence. Oh and did I mention… they’re not so much coming over to eat dinner as to remove your still beating heart from you restrained and unanethisized body. Yup. That’s right. They tie you down and rip your internal organs out. Oh and to make the situation work, (Yes, the situation can get worse. Surprisingly, having some overly dressed dude stick his hands into your chest and tear your heart from your chest isn’t the absolute low) you also can’t scream or talk or whisper or cry or produce any kind of sound at all. Before preparing for the impromptu surgery, The Gentlemen steal the voice of everyone in town. So no one can help you. No one even knows that you’re enduring the worst torture imaginable. There is literally nothing you can do to in anyway fight back or help yourself as those dudes up there slice you to shreds. Also they float. A small footnote considering that I’ve just explained the routinely perform vivisection, but creepy nonetheless. Not only are you unable to speak during their unwanted out patient procedures but you can’t even hear them coming. The Gentlemen are creepy in EVERY SINGLE IMAGINABLE WAY, and that my friends is why they are the single creepiest bastards who will ever grace your television with their demented presence.


Honorable Mentions:

Bloody Mary-
Supernatural
Paul Young -
Desperate Housewives
Grundel-
Extreme Ghostbusters

Sunday, March 27, 2011

This Week in Television (March 20- 26)

Huzzah! It is my first weekly update (not to be confused with weekend update, with which I sadly am in no way associated). As it is the first such update, I have yet to come up with a quippy and fun name, suggestions are welcomed. Though this clever, possibly pun related, title is still pending the criticisms have already arrived. General note, there will be SPOILERS, in my weekly reactions. If you're not caught up on a particular show don't look at it.


Community: For once I know what it feels like to be one of those people who didn't quite understand an episode of Community. I can only assume there is an entire level of ridiculously smart and smarmy jokes that flew right over my head as I have never seen Pulp Fiction. I know it sounds crazy, but in my defense when it came out I was seven. I wasn't really even allowed to watch The Simpsons until I was twelve or thirteen, so Pulp Fiction was pretty much something that was never on the table, as well it shouldn't be for a seven year old. Now that I'm older it has landed somewhere on the list of iconic films I know that I will see at some point in time, but just have not. Shocking admission aside, I enjoyed this weeks episode, but less than I do most. Something felt a bit off for me. Danny Pudi, as always, did an EXCEPTIONAL job acting but the emotional crescendo of the Jeff/Abed story didn't really do it for me. I think it's because the crux of the story relied on Abed trying to bring them back together because he felt they were drifting apart, but I never really had that sense, especially with Troy's B being that he was afraid Jeff would replace him. Maybe things are normally like that and I'm just so enthralled by my half and hour long pop culture comedy comas that I normally don't notice. B-

30 Rock: 30 Rock failed to impress this week, especially off the heels of its adventurous foray into reality television with "Queen of Jordan" episode. Honestly, I was a little put off by the frequency of unfunny gay jokes that were crammed into this episode. Not only were there two reference to gay men's uncontrollable desire to purchase "Chihauhau outfits" for themselves but there was (at least) two uses of the word "gaybies." Are homosexual parents that inherently hilarious? It didn't really help that there was virtually no Jenna or Tracy in the episode. Liz Lemon is a great straight woman, but when you remove all the crazy people around her who is she supposed to play off of? It just felt like a mediocre episode that didn't really make me laugh at all outside of Female Writer's side gig as a Dutch Mentalist. I mean an Aaron Sorkin cameo is nice and everything, but it can't really carry an episode. C

As both my other shows are on hiatus I think I have some time and/or energy for general television thoughts.

* The Office was delightful this week. A genuine return to form, it had much the charm of an earlier episode. Michael's proposal was very well done, and I'm impressed with the writers' decision to highlight their romance with the actual physical office building and to incorporate all of the characters into the event. It was a fantastic episode of a fading show, as well it should have been, but it makes me even more skeptical of the show's ability to sustain itself without Michael Scott.

* Top Chef 's elimination mad me sad this week. I got far more attached to Antonia then I thought I would. When the all-star cast was announced she was someone I felt pretty neutral about, but she really grew on me throughout the season. One thing that always bothers me about the show is that consistency never seems to be rewarded. She was in the top, probably more times than anyone for quickfires and eliminations and in the end it didn't really matter. I get that the point that each round is only to get you to the next one but that's how people like Kevin and Josea win seasons that are clearly dominated by other chefs.

*In movie news Suckerpunch... If you go in expecting an emotional, intellectual, Oscar worthy drama you're going to be disappointed. If you go in expecting a mindless, non-stop, action film filled with sex, violence, and all things awesome... you're going to be even more disappointed. If you're go in looking for a place to take a nap in a room full of disappointed people, you're going to have a fantastic time.